Well, the fall television season has officially started. The Office is back, ABC had their “National Stay At Home Week” premiere campaign, and the writer’s strike is a distant memory. With all the oldies and the newbies to choose from, how do you decide what to watch? A DVR can only hold so much! Well, votes have been tallied, opinions registered, and decisions made. Here’s what we’re watching. And by ‘we’ I mean me.
1. The Office
Simply a delight. A fine brush tribute to subtle awkwardness and quiet love. And it’s hysterical. We have a proposal, a demotion, a new character, a goatee…all in the premiere of a show that’s already given us so much. The Office has been an innovator of network comedy with extended shows, character blogs, and webisodes. A love story, quotable quotes. Beets. Bears. Battlestar Galactica. And it’s continually done so with consistently high quality humor that doesn’t come at the expense of heart.
2. The Big Bang Theory
The Big Bang Theory is almost new enough to be considered a new show. It barely cranked out a half season before the strike, but proved itself to be one of the brightest, lightest new comedies of the year. Dumb-as-a-doornail blonde moves in next door to a pack of genius level geeks. Sound trite? Cheap? It’s not. This show, grounded by lovable everyman Johnny Galecki, gives these characters true depth. Our characters Sheldon, Leonard, Howard, and Rajesh love Star Trek, trivia, and physics, and their intricate science insights and rationalized humor styles are quick, smart, and surprisingly relatable. Newcomer Jim Parsons steals the show as the stodgy, analytical Sheldon; he’s like a Los Angelean Data, or Seven of Nine, or The Doctor, the Borg even…actually any of Star Trek’s emotionless, rational characters. But funny. Watch it; you won’t be sorry, you’ll laugh a lot, and you’ll leave feeling smarter (and cooler) than when you came.
3. The Mentalist
I don’t normally watch procedural dramas, but I have two on the list this season. The first is a new show, The Mentalist, which doesn’t take itself quite as seriously as some of its CBS counterparts. Aussie import Simon Baker, sparkling and sunkissed as usual, stars as con-psychic Patrick Jane, a Monk/Psyche-esque ‘guy who notices stuff’ and solves crimes. But where Monk and Pysche come off as cute but kitschy, The Mentalist’s Jane hides a searing pain behind all those sparkling smiles. He gleefully reads people, tricks them, bluffs them; he’s arrogant, petty, and pranky. Yet the backstory deaths of his wife and daughter torment him in a way that would cripple any other man.
We’re only two episodes in. Hopefully, this show will be able to suss out a following. Oh, also, CBS? Simon Baker should be using his own native Australian accent for the part; that’s one of the things that makes him sparkling and sunkissed. Shame on you for making him ‘American.’
4. Bones
The second procedural drama that you should be watching is Bones. Like The Mentalist, this show has all the grisly blood and guts you could ever want in a procedural, but it also has a frothy, funny tangy aftertaste. Emily Deschanel and David Boreanaz, smarties and cuties both, solve horrendous crimes–along with their ridiculously high tech team of scientists and gadgeters– while building a true partner friendship. The kind of friendship that isn’t usually seen on TV; sure, these two have chemistry, but their characters aren’t being forced into falling in love. They’re becoming real friends, and it’s quite nice.
5. Project Runway
Hurry! This brilliant Bravo show runs in the summer season, but if you’re quick, you can catch the final episodes. A seemingly simple (even stupid?) concept translates into one of the best shows on television, reality or no. Quirky, talented young fashion designers make what Tim Gunn tells them to make, whether it’s clothes made out of car parts or a high fashion collection for Bryant Park. And then Heidi Klum tells someone to go home. It’s all the stuff that happens in between that makes this show terrific. That, and the clothes.
6. Gavin and Stacey
This British show, which airs on BBCAmerica, is a lovely little diamond in the rough. Gavin and Stacey decide to marry after a whirlwind romance; the show centers on how their two families combine in the weeks leading up to their marriage. This ensemble show is entirely about watching delightful, idiosyncratic characters–a monotone, straight talking best gal pal, a lazy, half-cocked best man, a Welsh uncle, a stable father, a pandering mother, a rowdy pack of London blokes–rally around the young couple. BBCAmerica. If you don’t have it, get it. You’ll need it when Jonas Armstrong and Richard Armitage return in Robin Hood anyway.
7. The Late, Late Show with Craig Ferguson
Fresher than Leno. Funnier than Letterman. Randomer than Conan. Smarter than Kimmel. Scotsman Craig Ferguson is the manifestation of all that is good about late night television. Late night is a place to relax in, to play and laugh in, a place to be silly and carefree. Ferguson’s blazing comedic acuity, running gags, and warm demeanor make The Late, Late Show the best late show, period.
8. The Middleman
Okay, okay. The Middleman isn’t actually on during the fall season. Premiering in the summer, this ABC Family show had all the ingredients for disaster. It’s a tongue-in-cheek super spy show with fairly cheesy effects and a super-bot that speaks with a Wisconsin accent. But disaster did not ensue. Instead, Matt Keeslar and Natalie Morales, as virtuous super spy and wry spy-in-training respectively, fight off supernatural and alien baddies while slinging fast-paced, intricate dialogue that would make the Gilmore Girls‘ heads spin. And, like Bones, The Middleman balances all of its tomfoolery with the glow of deep, interesting, true friendship that is simply a joy to be a part of.
9. Dr. Horrible’s Sing-A-Long Blog
All right! You caught me again! Dr. Horrible’s Sing-Along Blog isn’t even a television show. Funded and written by Joss Whedon during the writer’s strike, Dr. Horrible is a genre-bender to say the least. It’s part parody, part musical, part super-hero story, with smatterings of comedy, drama, and tragedy thrown in. Neil Patrick Harris is a likable, can’t-quite-hack-it evil villain who wants to take over the world, but the ridiculous Captain Hammer, a very smarmy Nathan Fillion, stands in his way. Find it on iTunes or watch it on drhorrible.com or hulu.com.
A Continued List of Shows You Should Be Watching/Special Shout-Outs:
Pushing Daisies: The affable, lovely Lee Pace touches a dead person, and they come to life. If he touches them again, dead. A whimsical, romantic, quirky look at love in the life of a pie maker named Ned.
Flight of the Conchords: Affable, dimwitted New Zealanders sing, dance, and deadpan.
Dirty Jobs with Mike Rowe: Affable, intelligent Mike Rowe pays tribute to people with crazy hard jobs, the jobs that make the world go ’round.
Bizarre Foods with Andrew Zimmern: Affable, hungry Andrew Zimmern pays tribute to disgusting ‘delicacies’ as he goes ’round the world.
House Hunters International: DO NOT CONFUSE THIS SHOW WITH HOUSE HUNTERS! The international version of this show makes you feel like maybe you, too, could one day move to an adventurous place like Fiji, Amsterdam, or Rome.
Brian Regan comedy specials: Finally, a clean comedian who’s actually funny. Actually, very, very funny.
Greek: The typical teen drama without any of the typical cheap writing, soulless acting, or ridiculous plots.
Cash Cab and Cash Cab After Dark: Get in a cab driven by the affable, multi-tasking Ben Bailey in NYC. If you’re stupid, you have to get out. If you’re smart, you win money.
Prison Break: This show is finally getting good again. ‘Pretty’ is running, Teabag is gunning, and Dr. Tancredi still has her head.